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Fela Kuti Fela is a man of contradictions. That's why he's so intriguing. People who love him can accept his flaws. His songs typically last 20 minutes or more, and are performed in dense, almost incomprehensible Pidgin English. His music is influenced by Christian hymns and classical music. He also incorporates jazz, Yoruba, and highlife with guitars and horns. He was a musician Fela Kuti embodied that music can be a tool to influence the world. His music was used to argue for political, social and economic changes. His influence is evident to this day. Afrobeat is a style of music that blends African and Western influences. Its roots lie in West-African high-life music and funk however, it has developed into its own style. His political activism was fierce and frightened. He made use of his music to protest against corruption in the government and human rights violations. Songs like “Zombie”, “Coffin for the State Head” and others were shrewd criticisms of Nigeria's dictatorship. He also used Kalakuta as a venue to connect with like-minded individuals and to encourage political activism. The play features a huge portrait featuring his mother, who died in the past Funmilayo ransome-Kuti. She was a renowned feminist and activist. Shantel Cribbs portrays her, and she does an excellent job of expressing her significance in the life of Fela. The play also highlights on her political activism. Despite her condition deteriorating she refused to undergo tests for AIDS. Instead she took traditional medicine. He was a musician Fela Ransome Kuti was a complex individual who used music to effect changes in the political landscape. He is credited with being the creator of afrobeat. It was an invigorating blend of funk and traditional African rhythms. He was also a fervent critic of Nigeria's governmental and religious leaders. His mother was an anti-colonial suffragist So it's not surprising that he has a passion for political commentary and social commentary. His parents had hoped that he would become a doctor, but he had other plans. A trip to America changed his outlook forever. The exposure to Black power movements and the leaders such as Malcolm X and Eldridge Cleaver had a profound effect on his music. He adopted a Pan-Africanism philosophy that would inform and guide his later work. He was a writer. While in the United States Fela was introduced to Black Power activists such as Stokely Carmichael and Malcolm X. This led him to create an activist group known as the Movement of the People and compose songs that reflected the ideas that he held about political activism and black awareness. His ideas were expressed in public via the medium of yabis, which is a form of public speaking he dubbed “freedom of expression”. He also began to impose an ethical code on his band. This included refusing to accept medication from Western-trained doctors. After returning to Nigeria Fela began to build his own club The Shrine in Ikeja. The raids by officers and police were nearly constant. His Mosholashi-Idi Oro hangers were able to repopulate the area surrounding the club with drugs of all kinds, especially “bana” and “yamuna” (heroin). Despite this Fela kept his integrity unshaken. His music is a testament to the determination with which he challenged authority and demanded that popular ambitions be reflected in official goals. It is an extraordinary legacy that will last for generations to be. He was a poet In his music, Fela used light-hearted sarcasm to highlight economic and political issues in Nigeria. He also ridiculed his audience, the government, and himself. fela claims railroad employees referred to himself in these shows as “the big dick on the little pond.” The authorities did not take his jokes lightly and he was repeatedly arrested and detained, as well as beating by the authorities. He was eventually given the title Anikulapo, which means “he carries his death in his bag.” In 1977, Fela recorded a song called “Zombie,” which compared soldiers to zombies who followed orders without question. The military was offended by the song and seized Kalakuta Republic. They burned the place down and beat its residents. During the raid, Fela's mother was thrown out of her second-floor apartment window. In the years after Nigeria's independence, Fela created Afrobeat, the genre of music that combined jazz with native African rhythm. His songs attacked European cultural imperialism and defended traditional African traditions and religions. He also criticized fellow Africans for ignoring their country's tradition. He emphasized the importance of freedom and human rights. He was a rapper A trumpeter, saxophonist and composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was inspired by jazz, rock, and roll as well as traditional African music, chants, and music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work. When he returned to Nigeria, Fela began using his music as a political tool. He criticized the government of his home country and insisted that African culture should not be diluted by Western sensibilities. He also wrote about societal injustices and human rights abuses and was often detained for his criticism of the military. Fela also advocated for the use of marijuana, also known as “igbo” in Africa. He frequently held public discussions at Afrika Shrine, also known as “yabis”, in which he would ridicule officials of the government and share his beliefs on freedom of expression and the beauty of women's bodies. Fela also had a harem of young women, who danced at his shows and served as vocal backups for him. He was a dancer Fela was a master of musical fusion. He fused elements of beat music, and highlife to create his own unique style. He influenced generations of African musicians and was an outspoken critic of colonial rule. Despite being tortured and arrested by the Nigerian military junta, and witnessing his mother be killed, Fela refused to leave the country. He died in 1997 from AIDS-related complications. Fela was a political activist who was a critic of the oppressive Nigerian government and supported the principles of Pan Africanism. His albums including 1973's Gentleman focused on addressing oppression from both government bodies and colonial parties. He also promoted black-power and decried Christianity, Islam and other non-African imports for dividing the people of Africa. The title track on the album from 1978, Shuffering and Shmiling, describes the overcrowded public buses packed with workers “shuffering and smiling.” Fela was a staunch opponent of religious hypocrisy. The dancers of Fela were an excellent complement to his music. They were sensual, vibrant, and regal. Their contributions were as important as Fela’s words. He was a political militant Fela Kuti was an activist who used music to challenge oppressive authority. He made use of his knowledge of American jazz and funk to African patterns and rhythms, creating music that is ready for a fight. Most of his songs begin as slow-burning instrumentals. He layers riffs, long-lined melody lines and other elements until they explode in a blaze of energy. Fela like many artists who were afraid to discuss their political beliefs He was adamant and unbending. He stood in the cause he believed in, even when it was risky. His mother, Funmilayo Ransome-Kuti was a prominent feminist who was the leader of the Nigerian Women's movement. His father was a protestant minister and president of the teachers' union. He also established Kalakuta Republic, a commune and recording studio that was a symbol of resistance. The government seized the commune, destroying the property and injured Fela severely. He refused to give up, however and continued to speak out against the government. He died of complications from AIDS in 1997. His son Femi continues to carry his legacy of music and politics. He was a father Music is often viewed by many as a political action. The lyrics of musicians are used to call for change. Some of the most powerful musical demonstrations are not performed with words. Fela Kuti was one of them, and his music still rings out today. He was the first to pioneer Afrobeat music, which combines traditional African rhythms and harmonies with jazz and hip-hop and was inspired by artists like James Brown. Fela's mother, Funmilayo Ransome-Kuti, was an activist and unionist who was a fighter against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also was a Marxist and believed that Nigeria should serve its entire population. Seun, Fela's Son, continues to carry on his father's legacy with the band Egypt 80. The band is on tour around the world this year. The Egypt 80's music combines the sound of Fela with a sharp critique of the power structures that exist today. The new album, Black Times, will be released in March. A large number of fans attended the funeral and paid tributes at Tafawa Balewa Square. The crowd was so large that police had to block the entrance to the location.